That’s why they call me Mr. Farenheit: On the accelerations of Yanis Varoufakis, from the journal of a colleague (for a day)

Yanis-Luigi
Glowing like neon, with Yanis Varoufakis at the Officine Corsare on March 17, 2016.

Officine Corsare, Turin, 11pm. I am sitting next to Yanis Varoufakis, whispering in his ear as I translate the speeches being made in a debate on democracy in Europe. He listens intently, and occasionally leans against the chair to reveal, from the leg of his trousers, a dark leather boot. Shortly before, as we were walking to the debate, it was the length – down to the calves – of his elegant coat that caught my eye. That too, black. ‘He’s like Neo’ – I think to myself, as I conjure in my mind that famous scene from The Matrix. Where the protagonist intuits the malleable matrix of reality, after he surprises himself dodging the bullets fired at him by agent Smith – the trajectory of which he is unexpectedly capable of following in slow motion.

But Varoufakis has more in common with Neo than his punk-themed elegance. The Greek economist – who was in Turin on March 17, 2016 to receive a honorary professorial appointment at the International University College of Turin [where I was lecturing at the time] – has a certain promethean aura about himself, not unlike the hero of The Matrix. It’s a boldness that comes with facing an obscure and oppressing computational order, and coming out at the other end with a burning truth to share with humanity:  that of mankind’s enduring collective power to bring into being alternative visions of the possible. Read more

Yanis Varoufakis on the Greek Bailout

Greek economist Yanis Varoufakis is a vociferous critic of the current bailouts of Greece that bring back memories of Structural Adjustment Programmes and the ensuing production of a new Third World in Southern Europe. In this short documentary, he warns against this process, by warning that the all-too-common story of German industrious ants and Greek lazy grasshoppers has remained what it was since Aesopus first elaborated this imagery in one of his fables. A story. However, it is one that is being used to push savage reforms that might – in the end – do little to improve anyone’s lot.

Yanis Varoufakis on the Greek Bailout